Shem the Penman
Shem is the artistic twin son of HCE and ALP—a writer, exile, and bohemian who is Joyce's satirical self-portrait. He represents introversion, creativity, heresy, and the transformative power of art.
Quick Reference
| Attribute | Detail |
|---|---|
| Role | Son, artist, writer, exile |
| Sigil | ⊏ (open to the left—introvert) |
| Twin | Shaun the Postman |
| Key Chapter | I.7 ("Shem the Penman") |
| Key Phrase | "Shem is short for Shemus" |
Names and Manifestations
Shem appears under many names, always in opposition to Shaun:
| As Shem | As Shaun |
|---|---|
| Shem | Shaun |
| The Penman | The Post |
| Glugg | Chuff |
| Dolph | Kev |
| The Gracehoper | The Ondt |
| Mercius | Justius |
| Nick | Mick |
| Jerry | Kevin |
| Butt | Taff |
Shem as Joyce
Shem is unmistakably Joyce himself:
| Shem | Joyce |
|---|---|
| The "usylessly unreadle Blue Book of Eccles" | Ulysses (set on Eccles Street) |
| Self-exile from Ireland | Joyce left Ireland in 1904 |
| Heavy drinking | Joyce's alcoholism |
| Poor eyesight | Joyce's near-blindness |
| Artistic poverty | Joyce's financial struggles |
| Cowardice during war | Joyce avoided WWI/Easter Rising |
That Joyce paints such a negative self-portrait shows his commitment to including uncomfortable truths.
The Penman
Shem is the writer:
"Shem was a sham and a low sham" (p. 170)
While Shaun can only deliver what others write (as the Post), Shem can create—he is the Penman. But his creativity is mocked as:
- Forgery
- Shamming
- Transgression
- Exile's delusion
The Writing Process (pp. 185–186)
In a famous grotesque passage, Shem:
- Makes ink from his own bodily waste
- Writes on his own skin
- Transforms excrement into art
This can be read as:
- Literal grotesquerie (shocking the bourgeois)
- Artistic metaphor (transforming waste into beauty)
- Autobiographical (writing from/about the body)
- Religious (the word made flesh)
Chapter I.7
Chapter I.7 ("Shem the Penman") is Shaun's character assassination of his brother:
Structure
- Shaun as narrator attacks Shem
- Shem's weaknesses catalogued
- The house Shem built (from disgusting materials)
- The writing process described
- Dialogue between Justius (Shaun) and Mercius (Shem)
- ALP intervenes to defend her son
Key Passage
"O, the lowness of him was beneath all up to that sunk to!" (p. 171)
The attack is meant to be both devastating and funny.
Shem vs. Shaun
The twins represent fundamental oppositions:
| Shem | Shaun |
|---|---|
| Introvert | Extrovert |
| Artist | Postman |
| Creator | Deliverer |
| Heretic | Orthodox |
| Exile | Patriot |
| Bohemian | Bourgeois |
| Theory | Practice |
| Time | Space |
| Hearing | Sight |
| Tree | Stone |
| Feminine | Masculine |
Psychological Reading
- Shem: The id, base impulses, creativity
- Shaun: The superego, social rules, conformity
Their Conflict
The brothers battle throughout the Wake, often over Issy. Their conflict encapsulates all the battles of history—Cain and Abel, Jacob and Esau, Set and Horus.
Mythological Parallels
| Figure | Role |
|---|---|
| Cain | The outcast brother |
| Jacob | The trickster twin |
| Set | The dark brother |
| Remus | The brother who loses |
| Satan/Nick | The rebel |
The Ondt and the Gracehoper
In Shaun's fable (III.1, pp. 414–419):
- The Ondt (Ant/Shaun): Industrious, respectable, cold
- The Gracehoper (Grasshopper/Shem): Artistic, frivolous, warm
The fable inverts Aesop—the Gracehoper's song suggests the artist's freedom may be preferable to the businessman's security.
Shem and His Mother
ALP defends Shem:
- At the end of I.7, her voice breaks through Shaun's attack
- The letter she writes may be in Shem's handwriting
- As the river, she flows through him
Shem is the "artistic" child—closer to the mother, more emotional, more fluid.
Key Passages
The Opening (I.7, p. 169)
"Shem is short for Shemus as Jem is joky for Jacob."
The House (I.7, pp. 176–177)
The grotesque house Shem builds from body waste.
The Writing (I.7, pp. 185–186)
Making ink from excrement, writing on skin.
The Gracehoper's Song (III.1, pp. 418–419)
His response to Shaun's prudent Ondt.
Joyce and Stanislaus
The Shem/Shaun conflict reflects Joyce's relationship with his brother Stanislaus:
- Stanislaus was more practical, more orthodox
- Stanislaus criticized Ulysses
- When he read the first Wake fragments, Stanislaus wrote: "It is unspeakably wearisome"
- Joyce was the exile; Stanislaus stayed
Reading Shem
Tips
- Enjoy the satire — The attack is meant to be funny
- Look for Joyce — Autobiographical details abound
- Note ALP's intervention — She defends her son
- Track the oppositions — Every Shem appearance implies Shaun
Further Reading
- Adaline Glasheen, Third Census of Finnegans Wake — Shem entries
- FWEET — Search Shem appearances
See Also
- Shaun — His twin brother
- I.7: Shem the Penman — His defining chapter
- I.6: The Quiz — The Mookse and Gripes
- III.1: Shaun the Post — The Ondt and Gracehoper