II.3: In the Pub (pp. 309–382)
The third chapter of Book II is the longest in the Wake—73 pages of pub scene, radio broadcasts, and storytelling, ending with HCE passing out drunk.
Quick Reference
| Detail | Information |
|---|---|
| Pages | 309–382 |
| Vico Age | Aristocratic (Age of Heroes) |
| Time | Night (pub hours) |
| Setting | HCE's pub/bar |
| Main Characters | HCE, pub patrons, radio voices |
Synopsis
The Pub Scene (pp. 309–337)
HCE works behind the bar while his customers drink and talk. A radio plays in the background.
The Norwegian Captain (pp. 311–332)
A radio broadcast tells the tale of Pukkelsen (a Norwegian Captain), Kersse (a tailor), and how HCE met and married ALP.
Buckley and the Russian General (pp. 337–355)
The broadcast shifts to a pair of radio comedians—Butt and Taff—who tell how "Buckley Shot the Russian General" during the Crimean War.
HCE's Defense (pp. 355–370)
HCE attempts to defend himself to his customers.
The Closing (pp. 370–382)
Last call. HCE drinks the dregs of all the glasses and passes out drunk.
The Radio/Television Device
The chapter prominently features broadcasts:
"their tolvtubular high fidelity daildialler" (309)
This early "radio-televisual device" brings news and entertainment into the pub, layering broadcast voices over the local conversation.
Key Themes
1. Oral vs. Broadcast Culture
The chapter contrasts traditional oral storytelling (HCE telling tales) with the new technology of broadcast media.
2. HCE as Publican
We finally see HCE in his role as pub owner—serving drinks, listening to stories, defending himself.
3. War and History
"How Buckley Shot the Russian General" reduces the Crimean War to absurd comedy.
4. The Fall (Again)
HCE drinking the dregs and passing out is another version of the fall—Tim Finnegan's drunken death.
Notable Stories
The Norwegian Captain
A tale of how a Norwegian sailor came to Dublin, met a tailor, and married his daughter—an origin story for HCE and ALP.
Buckley and the Russian General
An Irish soldier (Buckley) sees a Russian general defecating on the battlefield. He can't shoot a man with his pants down. But when the general wipes himself with a piece of turf (Irish soil), Buckley fires.
Notable Passages
The Radio (p. 309)
"their tolvtubular high fidelity daildialler"
Butt and Taff (pp. 338–355)
The radio comedians—eventually they "unite to become Buckley."
HCE Drinks the Dregs (pp. 380–382)
HCE consumes all remaining alcohol and collapses.
Characters in This Chapter
| Character | Appears As | Role |
|---|---|---|
| HCE | Publican | Host / defender |
| Pub patrons | Themselves | Audience |
| Butt and Taff | Radio comedians | Tell Buckley story |
| Norwegian Captain | Broadcast tale | HCE's origin |
| The Russian General | Broadcast tale | War victim |
Scholarly Interest
A DePaul University thesis analyzes this chapter as "oral poetry in the age of mechanical reproduction"—Joyce using ancient storytelling techniques to resist mass culture's totalizing effects.
Audio Resources
| Resource | Notes |
|---|---|
| One Little Goat | Video with subtitles |
| Patrick Healy reading | Complete audio |
| Waywords and Meansigns | Musical settings |
Reading Tips
- This is the longest chapter — Take breaks
- Listen for the broadcasts — They're distinguished from pub talk
- The comedy is intentional — Buckley and the General is meant to be absurd
- Watch HCE fall — The ending mirrors Finnegan's fall
Further Reading
- Campbell & Robinson, A Skeleton Key, Chapter 11 commentary
- McHugh, Annotations to Finnegans Wake, pages 309–382
- FWEET — Search "309.01" onward
- Joshua Brown, "Finnegans Wake ii.3 as oral poetry" (DePaul thesis)
See Also
- II.2: Night Lessons — Previous chapter
- II.4: Mamalujo — Next chapter